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Lady Gaga - “Yoü & I” Analysis

ft. her handler, and many alter egos 
Setting: Nebraska

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"It’s been a long time, since I came around; been a long time, but I’m back in town", are the opening lines to Lady Gaga’s 4th single from Born This Way; "Yoü and I”. Listening to the lyrics alone, makes you think Lady Gaga is talking about a normal relationship, but the music video proves otherwise. This song is about the relationship of her and her handler. A handler in Monarch Programming  is the person who programs and triggers victims. Monarch Programming is a technique used to create mind controlled slaves. This horrid process creates an alter personality which is easier to control. It is basically a process of torturing the victim until they lose touch with reality, and an alter is born. It is named after the monarch butterfly, because of the metamorphosis that takes place; at first it is a cocoon, and then it turns into a butterfly. Same results are shown after the programming is finished, a new person is born. The process includes SRA and MPD, (Satanic Ritual Abuse and Multiple Personality Disorder). 

INTRO

Once a split in the core personality occurs, an “internal world” can be created and alters can be programmed using tools such as music, movies (especially Disney productions) and fairy tales. These visual and audio aids enhance the programming process using images, symbols, meanings and concepts. They are taught that “somewhere over the rainbow” is the “happy place” dissociative trauma slaves must go to in order to escape the unbearable pain being inflicted upon them. -SA The first 58 seconds of the video, is about Gaga in a dream like state. And from the beginning of the video there are signs and hints of what the video is mainly about - mind control.

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Lady Gaga, is seen walking in an empty road, toward a crossroad. Crossroads have significant meaning. It is where some artists, like famous guitarist Robert Johnson, claim they have sold their souls to the devil, in trade for fortune, talent and fame. 

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Robotic parts are attached to her arm, hand, face, head, and neck. The motive of this, is to make viewers think that this idea, to be part robot, is a good thing and to make it appear “fashionable”. This supports the Transhumanist agenda, which will play a key role in the New World Order. Especially the head and mouth piece, (she is programmed what to say, and how to act)

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A monarch controlled person is referred to as a victim because of the extreme mental, physical and sexual abuse they endure. You can see Germanotta’s feet and legs badly bruised, yet she still continues to wear high heels, because of her lack of freedom.

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The mannequins with headphones, in between the audio track/signal, is symbolistic to mind control. This subliminal message is written on the truck, “Follow the crowd”. The bandwaggon effect, is illogical, and is something they use to control the public, especially in advertising. The left wheel is a Satanic Pentagram. 

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The evil man resembles her father who gave her the doll (doll programming) and abused her inducing trauma so it will be easier to dissociate for Monarch Programming. “I have a lot of really intense experiences when I was younger. The icecream trunk is meant to be a representation of the destruction of my youth at a very young time in my life. You yourself is not just ‘one’ person, you’re so many. (Multiple personalities hold different memories) That person inside of you has so many stories and memories that effect you persuasively.” -LG The unusual placement of the ice-cream truck all represent the internal world. 

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Ice-cream, like in Mariah Carey’s breakdown, is symbolic to a mental brain freeze. At the start, an electric zap (Electroshock) is heard, which is part of the method to torture subjects.

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"Abused children’s only "escape" from their traumatized existence is being able to play with dolls. This is due to their dissociative state. The personalities given to the dolls can be organized (through suggestion; exposing the child to videos of personalities for them to mimic during their "play", slutty Bratz/Barbie dolls and their movies, of course Disney and the media’s general slave personalities [Paris/Britney/Miley etc] help a lot in this regard) & by Barbie’s "built for sex" physique makes it perfect for programming doll-like sexual alters." The music from the music box playing in the beginning further show that she is in a dream like state.

HANDLER

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Dressed in white from head to toe, and wearing a wedding dress, this shows the beginning of their relationship, (though a long time ago), it just represents the initiation.

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Obvious abuse she receives from her handler. Victims are constantly manipulated by their handlers, in this love-terror environment, monarch slaves are easier to trigger.

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Similar to the abusive and destructive relationship of a domestic violence victim, and their perpetuating partner. One minute, violence is prevalent, and the next they are kissing.

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The black wings tattooed on the handlers back, simliar to the sexual scene in the movie “Black Swan” (where Lily’s similar tattoo is seen), is symbolic to the force that is communing with Lady Gaga. VC describes, that “it is penetrating her, giving her orgasm, but also taking over her life.” The tattoo in whole, represents the Egyptian hawk Horus (Lucifer), or the masonic phoenix. Though it looks like she is willing here, sexual abuse is used when the victim is not in a state to actually give consent. 

METHODS

A various amount of systematic abuse is portrayed in “Yoü and I”, the same used to create alters and split the core personality.

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The handlers cause intense trauma to subjects through the use of electroshock. A frame of this device measuring the voltage is shown for a split second in the video. In the first moments of the music video, you can also hear the shocks.

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Here, Gaga is strapped and you can see Stefani being electrocuted. The wheel behind her could represent “spinning”, which is a second method to inflict harm. A third and important factor, is drugs. The mind-altering substances are used to create illusion, confusion, and amnesia, usually given by injection or intravenously. 

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Inverted triangles, top and bottom. In the background, you can also spot a mannequin - symbolical to programming. Her dress, mimics the most popular depiction of Baphomet. The torch of the Baphomet is around her neck, and the horns on her dress.

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You can see her in a water tank multiple times in the video. Placing the victim in salty water, is used to cause sensory deprivation, which allows the victim to dissociate more easily. 

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In this frame, she has no air mask, and the near-drowning experience is another form of torture used. These experiences are followed by immediate resuscitation. Depending on the temperature and type of substance, this could be another type of sensory deprivation in which the person is submerged in ice water or burning chemicals.

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The presence of these tools further accentuate the fact this video is about monarch mind control.

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Mirror reflections represent a slave’s alter-persona that is programmed and manipulated by a handler.

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Strapping, bondage, and restraints are part of the process also. It is especially applied in the creating of BETA alters. This level of monarch programming, has the highest frequency of EEG brain waves, meaning the person is alert. These alters, are programmed to be sex slaves without any moral convictions. These alters are called “cat alters”.

ALTER EGOS

The trauma is not only used to create alters, but also for something very important.”The amnesia walls that are built by traumas, and prevents the front personalities who hold the body much of the time to know how their system of alters is in use. The shield of secrecy allows cult members to live and work around other people and remain totally undetected. The front alters can be wonderful Christians, and the deeper alters can be the worst type of Satanic monster imaginable–a Dr. Jekyll/Mr. Hyde effect.” -SA

Which brings us to the last part of our analysis. Several alters can be created via this process, some known to the public, and some hidden. In this video, we see 5 -if not more.

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Wigs are especially common with female stars. 

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The alters can look the same as the core persona, but most of the time there are slight differences, and here we can see big differences. What stays the same is that, like people who suffer naturally from MPD, the alters go by different names. And Jo Calderone, seen above, was an alter made known to the public summer of 2010.

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Androgyny: Satanists’ ultimate goal is to transmorph the female and male genetics into one (form of alchemy) to which they consider to be the arcane perfection of being, as shown on the Baphomet.

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"As Above, So Below", also shown on Baphomet, is another important concept.

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This is another alter, shown here with gills and a mermaid body.

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This BETA alter is wearing a teal wig, the bonding “clothes” and collar around the neck are all clues to “Cat” alters. The diamond platform she’s standing on holds meaning, and the pole clarifies that this is sexual-programming.

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This is the fourth alter, seen with black hair. Roses are triggers.

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Same alter and all-seeing-eye symbolism. Her make up is done to represent the Eye of Horus. Along with the Egyptian style hair.

Conclusion:

This video is about Lady Gaga’s relationship with her handler. She may have been first programmed in this area by her handler(s). This video is not about a part robotic woman who turns into a mermaid, made into a human, and then turns into a mermaid at the end of the video. These are all her alters, which is the ramification of the expermients applied to her, shown through out the video. She once stated in an interview that she has no relation to the lyrical content of her songs, and that these songs are merely vessels. Vessels for what? To delude people into thinking that she is merely singing songs that others can relate to. When she is really incorporating messages such as these to desensitize the population, through subliminal messages that affect your subconscious mind, and NLP (Neuro-linguistic Programming).

No copyright infringement intended, the pictures used do not belong to this blog. Copyright belongs to Interscope Records.

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    ft. her handler, and many alter egos Setting: Nebraska  “It’s been a long time, since I came around; been a long time,...
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